On Tuesday, February 25, 2025, the Magistrate Court in Sabo, Yaba, Lagos, dismissed the case against several individuals previously linked to the death of Nigerian musician Ilerioluwa Oladimeji Aloba, popularly known as Mohbad.
Among those cleared were Abdulazeez Fashola, widely known as Naira Marley; music promoter Samson Balogun Eletu, also called Sam Larry; Owodunni Ibrahim, known as Primeboy; and Mohbad’s former manager, Opere Babatunde.
Presiding Magistrate Ejiro Kubenje announced that the court was implementing the legal advice from the Lagos State Directorate of Public Prosecution (DPP), which concluded that the defendants had no case to answer.
However, the DPP confirmed that it would proceed with prosecuting auxiliary nurse Feyisayo Ogedengbe and Mohbad’s friend, Ayobami Sadiq. The two are being charged with reckless and negligent acts, which contravene Section 251 (e) of the Criminal Law, Ch C.17, Vol.3, Laws of Lagos State, 2015. Their trial will continue at the Magistrate Court.
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Background of the Case
Mohbad, born on June 8, 1998, in Lagos, was a rising star in the Nigerian music industry, known for songs such as Ponmo, Feel Good, and KPK (Ko Por Ke) in collaboration with producer Rexxie.
He was initially signed to Marlian Records, a music label owned by Naira Marley. However, in October 2022, Mohbad announced his departure from the label, alleging physical assault and threats to his life.
“I’m dying inside and being physically assaulted under Naira Marley’s label,” he claimed.
Naira Marley refuted these allegations, stating that Mohbad was intoxicated at the time of his accusations. Eventually, Mohbad’s legal representatives issued a contract termination letter, citing unpaid royalties and maltreatment.
In June 2023, Mohbad reported to the police that Sam Larry had led an attack against him at a video shoot. He stated that Larry, accompanied by armed men, disrupted the shoot, claiming ties to Lagos monarch Oba Elegushi. The traditional ruler later distanced himself from the incident, extending condolences to Mohbad’s family.
On September 12, 2023, Mohbad tragically passed away at 27. Reports suggested he had been receiving treatment for an infection before his death, but the circumstances surrounding his passing sparked controversy. Authorities detained several individuals for questioning, including Naira Marley and Sam Larry, but they were released on bail pending further investigations.
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Legal Proceedings and Court Decision
Following thorough investigations, the Lagos State DPP reviewed the available evidence and provided legal advice to the court.
Magistrate Ejiro Kubenje ruled that there was insufficient evidence to prosecute Naira Marley, Sam Larry, Primeboy, and Opere Babatunde regarding Mohbad’s death. As a result, all charges against them were dropped.
However, the DPP recommended the prosecution of auxiliary nurse Feyisayo Ogedengbe and Mohbad’s friend Ayobami Sadiq for reckless and negligent acts. Their trial is set to proceed at the Magistrate Court.
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Public Reactions and Industry Response
The acquittal of Naira Marley and the others has sparked mixed reactions. Some fans and supporters of the accused welcomed the ruling, emphasizing the need for due process. Others remain skeptical and continue to demand justice, questioning the thoroughness of the investigation.
Since Mohbad’s passing, there has been a surge in support for his family, particularly his young son. Fans have raised funds to secure his future, while discussions on artists’ welfare, contractual rights, and mental health in the Nigerian music industry have gained traction.
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Conclusion
The dismissal of charges against Naira Marley, Sam Larry, Primeboy, and Opere Babatunde marks a crucial development in the case of Mohbad’s death. As legal proceedings now focus on the trial of nurse Feyisayo Ogedengbe and Ayobami Sadiq, the public continues to seek answers.
This case highlights the complexities within the entertainment industry and the need for stronger legal protections for artists, ensuring accountability and safeguarding their well-being.
